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Album Cover This is a little bit of a different medium for this blog, but you'll understand soon enough why I had to write this review. Earlier this week, I was invited to get a first look at Henry Patterson's new album, Broadway Maybe, and I can tell you that I fell in love almost instantly with this music. Recorded in a single day at Abbey Road Studios, this album fuses jazz and musical theatre hits to create a brand new sound, one that is accessible to Broadway lovers and

For its 70th Anniversary season, the Royal Court is rolling out the red carpet for an incredible lineup of shows and artists. 5 months into the year and we have already had some phenomenal works grace its stages, both upstairs and downstairs, including Guess How Much I Love You? (with BAFTA winning actor Robert Aramayo and Olivier Award Nominee Rosie Sheehy), The Sh*theads and John Proctor is The Villain. This month, we are going back to the roots of the theatre with a 2-in-1

There are some composers whose music feels too big for an ordinary stage. Jim Steinman was one of them. And the London Coliseum, grand and sweeping as it is, felt like the only fitting venue for an evening dedicated to his work. From the opening number to the final bow, this was a concert that understood exactly what Steinman's music requires: scale, commitment, and the kind of voices that can match an orchestra at full cry. My journey with this music started years ago, but i